Site & City Map

Berlin, Germany:

When Music Becomes Hostile (and How to Counter It): Observations from Neukölln, Berlin

Brasília, Brazil:

Brasília: Unconventional Capital at the Heart of Brazil

Bremen, Germany:

No Time for Small Steps: Urban Change in the Pandemic

Budapest, Hungary:

Some Cities Tell their Stories, Silently to Passers-By

Freiburg im Breisgau, Germany:

Get Thee to a Library, Part. 1: In the Light of Academic Libraries

Galway, Ireland:

Bad Irish Weather and Why We Should All Embrace It

Gießen, Germany:

Raumstation3539

The Spitter

Don’t Mention the War: A Peripatetic Interview with raumstation3539 through the City of Giessen, Part 1 of 4

Lived Space and the Demand for the Undefined: A Peripatetic Interview with raumstation3539 through the City of Giessen, Part 2 of 4

Improvisation and Continuation: Urban Activism and the Role of Art: A peripatetic interview with raumstation3539 to the city of Giessen, Part 3 of 4

From Emptiness to Urban Art: A peripatetic interview with raumstation3539 to the city of Giessen, Part 4 of 4

How Social Distancing Made me Give Pokémon Go a Second Chance

User-led desire, or how desire paths became instagrammable

Venus on the Streets

Uncovering the Traces of the Colonial Past

Helsinki, Finland:

Get Thee to a Library, Part 1: In the Light of Academic Libraries

Irvine, United States of America:

Used-led desire, or how desire paths became instragrammable

London, United Kingdom:

Playful Flâneurie in ‘Assasin’s Creed: Syndicate’

New York, United States of America:

“be but in tune with yourself” – Rhythm, Feminism and the City in Siri Hustvedt’s Memories of the Future

Oslo, Norway:

Get Thee to a Library, Part. 1: In the Light of Academic Libraries

Tampere, Finland:

Playing ‘Wayfinder’ as a Tourist, or, How (Not) to Navigate Virtual Tampere – Part 1

Playing ‘Wayfinder’ as a Tourist, or, How (Not) to Navigate Virtual Tampere – Part 2

Sheffield, UK:

Why Balconies Matter: Politics, Urban Design, and Social Inequality

Skopje, North Macedonia:

Filling Cracks in the Walls: Street Art Responses to Crisis and Solidarity